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settiai:
Five ways you know a story is by Lady Norbert:
1. It's almost certainly shippy. Only about 10% of my stories aren't.
2. At least one reader has been converted to supporting the ship in question. Shad/Ashei became well-liked by those who read If It's Dinsday, This Must Be Castle Town. Skinner/Elizabeth became ridiculously popular, which is interesting considering she's an OC.
3. If it's a period piece (which many of them are), you know I've spent an unhealthy amount of time researching things to make sure they're just the way they ought to be. And I probably take the time in a final chapter to make sure you're aware of my Google-fu, and provide citations where applicable.
4. I'm very particular about sensory imagery. I have a strong idea of color, texture, smell, taste, sound, etc. and I try to make sure the reader gets the same impression. I think description is probably my strongest suit in writing.
5. There's a very good chance that a character, probably the main character, has some kind of daddy issue. Flora in Knights and Knaves feels like her adoptive father Professor Layton doesn't really want her. Sabrina, the protagonist of my never-finished Lord Voldemort backstory Riddled With Hatred, had a combative relationship with her unloving male parent. And do we even need to mention Elizabeth Quatermain?
settiai:Five ways you know a story is by Lady Norbert:
1. It's almost certainly shippy. Only about 10% of my stories aren't.
2. At least one reader has been converted to supporting the ship in question. Shad/Ashei became well-liked by those who read If It's Dinsday, This Must Be Castle Town. Skinner/Elizabeth became ridiculously popular, which is interesting considering she's an OC.
3. If it's a period piece (which many of them are), you know I've spent an unhealthy amount of time researching things to make sure they're just the way they ought to be. And I probably take the time in a final chapter to make sure you're aware of my Google-fu, and provide citations where applicable.
4. I'm very particular about sensory imagery. I have a strong idea of color, texture, smell, taste, sound, etc. and I try to make sure the reader gets the same impression. I think description is probably my strongest suit in writing.
5. There's a very good chance that a character, probably the main character, has some kind of daddy issue. Flora in Knights and Knaves feels like her adoptive father Professor Layton doesn't really want her. Sabrina, the protagonist of my never-finished Lord Voldemort backstory Riddled With Hatred, had a combative relationship with her unloving male parent. And do we even need to mention Elizabeth Quatermain?
